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I was also assured everything was cool when I saw Pat in Oklahoma a month prior to the closing. We even talked about really exciting stuff planned for the next year and beyond, I guess this is one of those "too good to be true" moments because less than a month later, poof! everything's gone... and I had to hear the bad news from Espen. Nobody bothered to tell me to stop working, if I had known, I probably wouldn't have sent in the Beast Wars pages, and now some of them are gone, probably looted from the office.
I disagree with him here. Dreamwave did a poor job, most glaringly in the flagship Transformers title. The story is key, and they produced poor stories, no matter the quality of the accompanying artwork.Don Figueroa wrote:TF wise, I think they did a pretty good job.
I went back and looked at some of my G1 and Energon comics today. The robot art is mostly good, but most of the human faces stand out as being just glaringly awful.I always tend to draw my humans in a more western style, so when I did that Armada Free comic book, they told me that my humans needed to be more "anime" so they altered the faces to conform with the house style.
The issue here is that Wildman's art depends heavily on appropraite inking and colouring. Think back to his first issue on the US Marvel TF book and compare it to all the rest of his stuff on the title thereafter. Changing inkers made a huge difference. DW's computer colouring with no inking made Andy's stuff look like ****. Plus (though I'd have to look up the pencils again) it is reasonable to assume the pencils were altered a bit to fit the house style - especially given what Don said in the interview.veritech wrote:How was Wildman's art modified "to the point of butchery" in WW2: The Dark Ages? This is news to me, although his art in WW2 didn't look anything like his original style . . . I guess I just thought that maybe he had changed styles, you know?
How was it modified?