Megatron:Origin In continuity or out?
Moderators:Best First, spiderfrommars, IronHide
Since this is a board that draws it's very sustenence from controversy, I thought I'd broach this onging topic from the IDW boards here.
Denton has asked whether M:O should remain a part of IDW continuity. (obviously Shane, Simon, or both have plans regarding the TF's past and feel shackled).
Should a publisher have the right to decide whether a poorly received previously published tale remain a part of continuity? Paritculary when said story was meant to be in continuity originally?
Me? I say "yes".
What say you?
Denton has asked whether M:O should remain a part of IDW continuity. (obviously Shane, Simon, or both have plans regarding the TF's past and feel shackled).
Should a publisher have the right to decide whether a poorly received previously published tale remain a part of continuity? Paritculary when said story was meant to be in continuity originally?
Me? I say "yes".
What say you?
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
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It was a dream Megatron had when Optimus lobotomized him in War Within.
Mmmm, Different reality!
Then it was a dream Megatron had when Thunderwing was turning Cybertron into Swiss cheese.
Mmmm, Different reality!
Then it was a dream Megatron had when Thunderwing was turning Cybertron into Swiss cheese.
A dream come true. Transformers Perú is online!!!
Visit:
www.transformersperu.com
And my Transformers blog in: www.transformers-peru-tla.blogspot.com
Whats the point of officially erasing it? Can't see what it achieves. I find it's timing highly amusing, given that Shane McCarthy's currently pissing all over continuity at a whim.
What I will say is that it's bloody harsh on the writer if it is removed. If it is indeed true that the usual half arsed project managment/editorial effort that IDW seem to excel at is the reason its so bobbins in the first place, it's a pretty poor message.
What I will say is that it's bloody harsh on the writer if it is removed. If it is indeed true that the usual half arsed project managment/editorial effort that IDW seem to excel at is the reason its so bobbins in the first place, it's a pretty poor message.
Yes, but it's not really being whisked away or erased from existence, just moved.
Megatron:Origin is something that can stand on it's own, really, given it's being the earliest story told. Others are affected by it, but it is not affected by others.
Still, that's not really the point, is it?
Megatron:Origin is something that can stand on it's own, really, given it's being the earliest story told. Others are affected by it, but it is not affected by others.
Still, that's not really the point, is it?
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
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If you're going to remove, say, Megatron: Origin from the 'main' TF line, then what's going to stop, let's say, Simon Furman from removing All Hail Megatron from said 'main' TF line as Shane has been far more damaging to IDW than Eric Holmes ever was.
As stranger said, where do you draw the line?
As stranger said, where do you draw the line?
Originally written by BB Shockwave
I had a hard time accepting Wildman's TFs who had teeth and tongues back then, but I Milne goes the extra mile to make them all look like vampires...
Maybe not the best comparison, but I liken it to the character Wheelie - generally everyone hates him and the easiest thing to do is pretend he never exists and not write him into stories, or worse, kill him off in wanky botcon comics.
Someone decides to write a worthwhile story with him, we get the wonderful Wheelie spotlight, and suddenly I give a crap about him and want to read more.
Like I said, maybe not the best comparison, but something good can come out of something bad. There's a lot of stories that could be told during that period of TF history, it doesn't have to start and end with Megatron Origins.
Someone decides to write a worthwhile story with him, we get the wonderful Wheelie spotlight, and suddenly I give a crap about him and want to read more.
Like I said, maybe not the best comparison, but something good can come out of something bad. There's a lot of stories that could be told during that period of TF history, it doesn't have to start and end with Megatron Origins.
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Of course you can. Speaking as a Spider Man guy, the sort of thing has happened two times:
1. Spider Man Chapter 1 by John Byrne in the late 90s was meant to be a "Man of Steel" type origin retelling that would then serve as continuity, but after poor reaction, was fogotten and never talked about again. The origin reverted to the original.
2. Trouble, a series by Mark Millar which (and I have NO idea why they did this) was like a teen pop soap opera comic where IIRC it is found out that Auny May was actually Peter's mother, but Mary Parker had claimed the baby was hers to avoid the scandal of unmarried teen pregnancy, or something to that effect. It was supposed to become canon, Joe Q was excited, but sales tanked, people's jaws were dropped with incredulity, and everyone has forgotten the whole thing.
Sadly, fictional characters are first and foremost an intellectual property meant to make money. If M:O has turned off fans, or if they feel they can make more $$$ by ignoring the story and telling a NEW ORIGIN completly different, then that's what they're going to do.
1. Spider Man Chapter 1 by John Byrne in the late 90s was meant to be a "Man of Steel" type origin retelling that would then serve as continuity, but after poor reaction, was fogotten and never talked about again. The origin reverted to the original.
2. Trouble, a series by Mark Millar which (and I have NO idea why they did this) was like a teen pop soap opera comic where IIRC it is found out that Auny May was actually Peter's mother, but Mary Parker had claimed the baby was hers to avoid the scandal of unmarried teen pregnancy, or something to that effect. It was supposed to become canon, Joe Q was excited, but sales tanked, people's jaws were dropped with incredulity, and everyone has forgotten the whole thing.
Sadly, fictional characters are first and foremost an intellectual property meant to make money. If M:O has turned off fans, or if they feel they can make more $$$ by ignoring the story and telling a NEW ORIGIN completly different, then that's what they're going to do.
Best First wrote:I thought we could just meander between making well thought out points, being needlessly immature, provocative and generalist, then veer into caring about constructive debate and make a few valid points, act civil for a bit, then lower the tone again, then act offended when we get called on it, then dictate what it is and isn't worth debating, reinterpret a few of my own posts through a less offensive lens, then jaunt down whatever other path our seemingly volatile mood took us in.
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Yeah but i think there is a difference between just kind of... forgetting about stuff and openly removing them.
In addition - both of your examples are retcons that tanked. Its a bit different to chucking out the original continuity. As Ben says, find a way to view it through a different perspective, say make it a legend rather than fact
"They say Megatron came from nowhere, a humble worker rising through the games to eventually fell a Prime. That's what they say, but the truth... the truth is somewhat different"
Take the coal, make a diamond.
blah, etc.
Or get your act together and don't commission such dross in the first place. Whoops!
In addition - both of your examples are retcons that tanked. Its a bit different to chucking out the original continuity. As Ben says, find a way to view it through a different perspective, say make it a legend rather than fact
"They say Megatron came from nowhere, a humble worker rising through the games to eventually fell a Prime. That's what they say, but the truth... the truth is somewhat different"
Take the coal, make a diamond.
blah, etc.
Or get your act together and don't commission such dross in the first place. Whoops!
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Hey. I like that idea better than any others I've heard so far.Best First wrote: "They say Megatron came from nowhere, a humble worker rising through the games to eventually fell a Prime. That's what they say, but the truth... the truth is somewhat different"
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
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Yep, we need the whole 'miner' thing retconned. That's what bugged me most about the whole thing, plus that Megs (a strategical genius) is portrayed as a "Me Hulk Angry, me Smash!" type of guy...
Let's say Megs was a soldier, a high-ranking officier who fought in wars outside Cybertron (surely Cybertron had contact with other species already) and got disbanded for his ambitions/recklessness/etc. Certainly a better origin then making him into a TF version of Hitler (lowly nobody becoming maniacal ruler).
Too bad Simon already referenced elements of MO in devastation (when showing Screamer as Megs bodyguard in a flashback).
And of course, we need to get the whole "Clench getting killed" thing retconned. I want to see the big guy featured in more stories!
Let's say Megs was a soldier, a high-ranking officier who fought in wars outside Cybertron (surely Cybertron had contact with other species already) and got disbanded for his ambitions/recklessness/etc. Certainly a better origin then making him into a TF version of Hitler (lowly nobody becoming maniacal ruler).
Too bad Simon already referenced elements of MO in devastation (when showing Screamer as Megs bodyguard in a flashback).
And of course, we need to get the whole "Clench getting killed" thing retconned. I want to see the big guy featured in more stories!
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It's basically a moot point, as others have said, now that we have AHM. I, for one, am likely to go on from this with my own version of what the IDW continuity really consists of, and act on that so far as I have any influence over what others read. "You've got Furman's main continuity, you've got your spotlights - stop there and do yourself a favour."
Unless, of course, something pretty clever is pulled off.
Unless, of course, something pretty clever is pulled off.
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Yeah, depending on how the Furmaverse wraps up - as it stands you have a great few years of stuff, wrapped up in a bit of a rush again. Which i am pretty used to, obvioulsy.
In some ways its better to just disect it rather than try and reconcile it with the sub par AHM.
I'm not one of these 'at least we have a TF comic' types - if we have a poor comic its a poor comic- i'd rather have nothing.
In some ways its better to just disect it rather than try and reconcile it with the sub par AHM.
I'm not one of these 'at least we have a TF comic' types - if we have a poor comic its a poor comic- i'd rather have nothing.
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Yes. (a) Like when a favourite band goes crap, it reflects badly on the fan, (b) official tripe encourages unofficial tripe and we all drown, and (c) it's like seeing a once-magnificent beast staggering around with its cojones bloodily removed, its claws filed down and its mane inexpertly shorn.Best First wrote:I'm not one of these 'at least we have a TF comic' types - if we have a poor comic its a poor comic- i'd rather have nothing.
I feel the opposite. If we have a comic, even if it's sucky, there's still a chance that something good will arise later.Best First wrote:I'm not one of these 'at least we have a TF comic' types - if we have a poor comic its a poor comic- i'd rather have nothing.
Case in point. Budiansky's final run on the Marvel TF comic was some of the worst crap I had ever seen, even as a young tike, the nadir of all Transformers comics even til today. . We had Skullgrin as a Hollywood actor, Roadhandler as a professional wrestler, Iguanus climbing the Empire State Building with a girl in his hand and Ratbat running a carwash. A carwash.....of doom.
Had it been axed at that point, there never would have been that incredible Furman run that pretty much saved Transformers for every child.
The comic was in its death throes. Simon came along at #56, and performed creative CPR and the rest, as they say, is history.
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
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But you say yourself "the comic was in its death throes". I'm all for a comic in its death throes needing to be saved by some spectacular intervention. That's rather different to the current situation where Denton has apparently hacked out the next three years of continuity with Hasbro and it seems more likely than not that a string of movie franchise tie-ins will keep the brand healthy. No one's going to save the day unless IDW suddenly develop some artistic integrity and change it for the sake of making it better (fly, piggies, fly!)
Plus, the fact that they're apparently keeping Furman around for the odd future project and insist that AHM is part of the same continuity means that it's incredibly difficult for Joe Public to vote with his feet - if AHM turns him off Transformers, he's unlikely to suss that Max Dinos - a comic published by the same company that takes place in the same continuity - is any better.
Plus, the fact that they're apparently keeping Furman around for the odd future project and insist that AHM is part of the same continuity means that it's incredibly difficult for Joe Public to vote with his feet - if AHM turns him off Transformers, he's unlikely to suss that Max Dinos - a comic published by the same company that takes place in the same continuity - is any better.
I think what has really bothered me more of late is Hasbro's involvement.
I mean, yes, there's no real way to get around it, but almost assuredly they have axed some very mature and adult-oriented storylines to preserve the younger fanbase's connection with the property so that they continue to sell toys.
Which is sound business practice, so who can fault them.
But as a 30-something year-old comic fan, it really lays the smack down on the license's potential and appeal.
Marvel and D.C. will always be more at liberty to target older audiences. They are not beholden to similiar constraints.
Transformers, on the other hand, will never truly reach it's potential except in the form of fan fiction.
I mean, yes, there's no real way to get around it, but almost assuredly they have axed some very mature and adult-oriented storylines to preserve the younger fanbase's connection with the property so that they continue to sell toys.
Which is sound business practice, so who can fault them.
But as a 30-something year-old comic fan, it really lays the smack down on the license's potential and appeal.
Marvel and D.C. will always be more at liberty to target older audiences. They are not beholden to similiar constraints.
Transformers, on the other hand, will never truly reach it's potential except in the form of fan fiction.
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
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Yeah, it isn't currently possible to recommend the series from where I'm sitting... and unfortunately that goes for the whole shebang, since Furman stacked too much stuff leading into Revelation. Can't see it all getting wrapped in MD, and there's nothing to look forward to beyond MD except for a smattering of Spotlights.Jack Cade wrote:It's basically a moot point, as others have said, now that we have AHM. I, for one, am likely to go on from this with my own version of what the IDW continuity really consists of, and act on that so far as I have any influence over what others read. "You've got Furman's main continuity, you've got your spotlights - stop there and do yourself a favour."
Unless, of course, something pretty clever is pulled off.
Where's the connection? Classics? If the line needs the level of support that $4 comics sold at outlets kids don't go to can provide, it's dead in the water. With convention toys, comics provide some semblance of a reason for people with more money than sense to fork out for them.Yaya wrote:I mean, yes, there's no real way to get around it, but almost assuredly they have axed some very mature and adult-oriented storylines to preserve the younger fanbase's connection with the property so that they continue to sell toys.
Which is sound business practice,
I'm not buying that this is entirely Hasbro's fault when there've been editorial issues. Especially when established designs have carried forward into current books.
edit:
Also mildly perturbed (but not surprised) that someone's comment that they've had Escalation on order for almost a year got scrubbed from that Q&A thread.
How are people supposed to get into a title when they can't frigging buy it?
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I doubt it was Hasbro's doing. IMHO, I think what Hasbro added was the transformation of the characters into the Universe toy bodies, to sell toys. But the rest was Ryall's decision.Yaya wrote:I think what has really bothered me more of late is Hasbro's involvement.
I mean, yes, there's no real way to get around it, but almost assuredly they have axed some very mature and adult-oriented storylines to preserve the younger fanbase's connection with the property so that they continue to sell toys.
Which is sound business practice, so who can fault them.
But as a 30-something year-old comic fan, it really lays the smack down on the license's potential and appeal.
Marvel and D.C. will always be more at liberty to target older audiences. They are not beholden to similiar constraints.
Transformers, on the other hand, will never truly reach it's potential except in the form of fan fiction.
Frankly, I don't understand why they couldn't have left Revelations well enough alone - maybe move it to the sidelines, not as the main comic -and start a new series, separately, for the "Geewunners". Like, call it "Transformers - as you remember it from the old cartoon!" - 'Come see your childhood heroes as you remember it! See Optimus save the day! See Megatron rehearse his famous line, "Decepticons retreat!" See Starscream bitch-slapped! Grimlock wearing an apron serving tea! Gestalts vs. Gestalts vs. city-bots extravaganza!'
Then the toonies would have been happy, and we could also have had our regular dose of monthly furmanisms...
"I've come to believe you are working for the enemy, Vervain. There is no other explanation... for your idiocy." (General Woundwort)
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Always happy to entertain...sprunkner wrote:Jack Cade wrote:(fly, piggies, fly!)I like you guys.BB Shockwave wrote: See Optimus save the day! See Megatron rehearse his famous line, "Decepticons retreat!" See Starscream bitch-slapped! Grimlock wearing an apron serving tea!
On a side not, Masterpiece Grimlock WILL have an apron and tea-tray accessory... I'm forgiving that because he'll also have his Marvel comics crown.
"I've come to believe you are working for the enemy, Vervain. There is no other explanation... for your idiocy." (General Woundwort)