Escaltion 6 (spoilers)
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- Best First
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Brilliant.
Like being punched in the face repeatedly. In a good way. Great pace, great dialogue.
Prime was not down for long. oh no. Did not see that coming, great stuff, thought he would be out for ages.
"Megatron... Burn".
Night beat makes his move! Squishy squishy!
Ironhide is down!
Hardhead is cool!
Prowl tells Hotrod off!
Ravage!
Laserbeak!
Headmasters!
Skywatch!
Mechanation!
Yaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaay!!!!!!
Last page was a bit squashed, but hey ho...
Like being punched in the face repeatedly. In a good way. Great pace, great dialogue.
Prime was not down for long. oh no. Did not see that coming, great stuff, thought he would be out for ages.
"Megatron... Burn".
Night beat makes his move! Squishy squishy!
Ironhide is down!
Hardhead is cool!
Prowl tells Hotrod off!
Ravage!
Laserbeak!
Headmasters!
Skywatch!
Mechanation!
Yaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaay!!!!!!
Last page was a bit squashed, but hey ho...
- Best First
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Good solid comic. Didn't live up to issue #5, which I felt was the best of Escalation, but a nice wrap-up to this chapter in the story. Like the last issue, things seemed to really get rolling, like we're really getting somewhere in terms of moving the story along.
As I could see Prime downloading himself into his trailer from a mile away, Prime's return really didn't have any shock value for me, although that interaction he had in limbo with....whoever that was, was certainly intriguing.
I also expected that the "fascimile cargo" wasn't going to make it out 'alive' this issue, as it would make the remainder of the job the Autobots have to do on Earth too easy. Again, too predictable.
But again, the biggest problem I have is the dialogue. I hated Primes "Megatron.....burn!" I still think Simon uses too many cliche comments scattered throughout the story, too many casual Earthen phrases that somehow irritate me. I think that scene would have been much better if he had simply said "Megatron..." then show Megs face looking down the barrel and BLAM. No need for Simon's favorite word, "burn". IMO, Simon at times doesn't let the art tell the story.
As far the actually script, dialogue aside, I think Simon is doing a very good job though. I like the character interactions (Prowl and Hotrod, for example). I was concerned with the pace early on, but it's really moving and I'm looking forward to Devestation and the arrival of Sixshot.
Just Sixshot........no Reapers. Everytime I see them, I hear circus music.
A solid "B" issue, capping off a six-issue arc that surpasses the first.
Keep it up!
As I could see Prime downloading himself into his trailer from a mile away, Prime's return really didn't have any shock value for me, although that interaction he had in limbo with....whoever that was, was certainly intriguing.
I also expected that the "fascimile cargo" wasn't going to make it out 'alive' this issue, as it would make the remainder of the job the Autobots have to do on Earth too easy. Again, too predictable.
But again, the biggest problem I have is the dialogue. I hated Primes "Megatron.....burn!" I still think Simon uses too many cliche comments scattered throughout the story, too many casual Earthen phrases that somehow irritate me. I think that scene would have been much better if he had simply said "Megatron..." then show Megs face looking down the barrel and BLAM. No need for Simon's favorite word, "burn". IMO, Simon at times doesn't let the art tell the story.
As far the actually script, dialogue aside, I think Simon is doing a very good job though. I like the character interactions (Prowl and Hotrod, for example). I was concerned with the pace early on, but it's really moving and I'm looking forward to Devestation and the arrival of Sixshot.
Just Sixshot........no Reapers. Everytime I see them, I hear circus music.
A solid "B" issue, capping off a six-issue arc that surpasses the first.
Keep it up!
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
- Best First
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i saw prime downloading coming (don't pat yourself on the back too hard mate) i just didn't expect him to be back in the game quickly.
I'm intrigued as to this notion that 'burn' is a persistant SF cliche - care to provide any examples to support the usual sweeping assertions?
The notion that he doesn't allow the art to tell the story is frankly bollocks, compare the amount if text in this to the KUu issue which you wet your pants about, and look at scenes like Prime's stopping of the truck with the fake streaker on it in issue 2 or Ironhide's exit from the building this issue for example - EJ is given plenty of room to breathe.
Oh, and size changing avatars was quality.
I'm intrigued as to this notion that 'burn' is a persistant SF cliche - care to provide any examples to support the usual sweeping assertions?
The notion that he doesn't allow the art to tell the story is frankly bollocks, compare the amount if text in this to the KUu issue which you wet your pants about, and look at scenes like Prime's stopping of the truck with the fake streaker on it in issue 2 or Ironhide's exit from the building this issue for example - EJ is given plenty of room to breathe.
Oh, and size changing avatars was quality.
- Best First
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Big Convoy! That's who that reminded me of.
Loved this issue, I think the action+excitement in it carried it past #5 for me. Sometimes you just gotta have derring-do and shamelessly 'cool' stuff and this issue delivered. Mix that in with the now-genuinely very interesting sub-plots (Nightbeat you cad! Oooh-ooh Headmaster Sunstreaker army! etc as mentioned above) and it's a very welcome package.
Love the panel of Lazerbeak and Ravage. And the spelling of Hardhead's "yeh yeh." Such a little touch that gives so much. And the way Su drew Hot Rod holding the facsimile. I really like his Prowl as well, and the way the artists illustrate the 'pellets' of weapon fire. Much prefer it to the perhaps slightly too big and washed out ' glowy blast-beam' style of the other weapon fire.
Perhaps the deficiencies of Ore-13 could have been gone over slightly? And yes, bottom of last page was a bit naff, but then I don't really like the Reapers or their designs, so...
Yay for having good TF comics again, basically.
Loved this issue, I think the action+excitement in it carried it past #5 for me. Sometimes you just gotta have derring-do and shamelessly 'cool' stuff and this issue delivered. Mix that in with the now-genuinely very interesting sub-plots (Nightbeat you cad! Oooh-ooh Headmaster Sunstreaker army! etc as mentioned above) and it's a very welcome package.
Love the panel of Lazerbeak and Ravage. And the spelling of Hardhead's "yeh yeh." Such a little touch that gives so much. And the way Su drew Hot Rod holding the facsimile. I really like his Prowl as well, and the way the artists illustrate the 'pellets' of weapon fire. Much prefer it to the perhaps slightly too big and washed out ' glowy blast-beam' style of the other weapon fire.
Perhaps the deficiencies of Ore-13 could have been gone over slightly? And yes, bottom of last page was a bit naff, but then I don't really like the Reapers or their designs, so...
Yay for having good TF comics again, basically.
- Best First
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as another aside i also love that Hardhead has his marvel face and not his toy one.
which is purely a matter of personal preference, but there we go.
Hardhead in general - brilliant.
One thing characterisation wise that struck me - Jazz was a bit bloody negative wasn't he? He's supposed to be the Special Ops, get out of tricky situations fella, but out of the three bots facing Megs he seemed to be the one who was most downbeat.
Then again, he did think Prime was dead.
Prowl's stratagising was actually quite cool for someone who so far has been the IDW equivellent of Tony Stark.
which is purely a matter of personal preference, but there we go.
Hardhead in general - brilliant.
One thing characterisation wise that struck me - Jazz was a bit bloody negative wasn't he? He's supposed to be the Special Ops, get out of tricky situations fella, but out of the three bots facing Megs he seemed to be the one who was most downbeat.
Then again, he did think Prime was dead.
Prowl's stratagising was actually quite cool for someone who so far has been the IDW equivellent of Tony Stark.
I think Simon used "been and burned" two other times.Best First wrote: I'm intrigued as to this notion that 'burn' is a persistant SF cliche - care to provide any examples to support the usual sweeping assertions?
Kup was full of internal dialogue, but it actually enhanced the storytelling. It was meaningful text.The notion that he doesn't allow the art to tell the story is frankly bollocks, compare the amount if text in this to the KUu issue which you wet your pants about, and look at scenes like Prime's stopping of the truck with the fake streaker on it in issue 2 or Ironhide's exit from the building this issue for example - EJ is given plenty of room to breathe.
Simon's problem is actually more about when he uses his dialogue inappropriately. In most scenes involving a "WHAM!" kind of moment, instead of just letting the action speak for itself, the character has to always make some cute sarcastic remark which I feel just takes away from the moment. Like when Blitzwing shot Ratchet in Infiltration, he makes some cute remark, whereas had he had said nothing, it would have been more effective. There are multiple instances where the absence of any dialogue whatsoever would have been better.
Simon uses those cute sarcastic comments way too much with the Decepticons in particular, to the point where they all seem to have the same snide personality. They all seem to be rubbing their palms together quipping "Oh, yes!" Really, what have we seen so far in the dialogue that separates Astrotrain, Blitzwing, Skywarp, and Thundercracker? They all seem cut from the same mold.
That's why Soundwave, Ravage, and Shockwave have always been a breath of fresh air to me, because Simon is forced to stay in character with them.
Probably my favorite moment in the comic, I agree.Oh, and size changing avatars was quality.
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
- sprunkner
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The art was SO amazing in this. My favorite comic page ever: "There's one. Kill it!" And Ravage and Lazerbeak... awesome. They really look like antsy animals--yet robots! HOWWWW can this be? [/invaderzim]
I have to agree on Simon's cliches, though I'm not so much with the "Burn!" as the mysterious vision a la Stormbringer, G2, Unicron Saga.
I have to agree on Simon's cliches, though I'm not so much with the "Burn!" as the mysterious vision a la Stormbringer, G2, Unicron Saga.
- Shanti418
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THe vision was a bit weird, but I look at it as "Simon beginning to lay the seeds for the more metaphysical aspects of TF which we all loved the s*** out in the Marvel days"
When you say "Burn" and Simon Furman, how can you NOT mention it as Uncron's response to Scorponok's attack in #75? That was SOOOOO the tits. And then he's all like, "Did I do good?" and Prime's all "Yes, old friend, you did good." I bawled like a baby as a kid. lol Anyways......
I forgot about Ravage/Laserbeak/Headmasters. Decimation is going to kick even MORE ass. lol
When you say "Burn" and Simon Furman, how can you NOT mention it as Uncron's response to Scorponok's attack in #75? That was SOOOOO the tits. And then he's all like, "Did I do good?" and Prime's all "Yes, old friend, you did good." I bawled like a baby as a kid. lol Anyways......
I forgot about Ravage/Laserbeak/Headmasters. Decimation is going to kick even MORE ass. lol
Best First wrote:I thought we could just meander between making well thought out points, being needlessly immature, provocative and generalist, then veer into caring about constructive debate and make a few valid points, act civil for a bit, then lower the tone again, then act offended when we get called on it, then dictate what it is and isn't worth debating, reinterpret a few of my own posts through a less offensive lens, then jaunt down whatever other path our seemingly volatile mood took us in.
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or its charcaterisation that shows us that Blitzwing revels in violence, you might have as point if Simon was indulging in Clairemont levels of dialogue, but he isn't.Yaya wrote:[
Simon's problem is actually more about when he uses his dialogue inappropriately. In most scenes involving a "WHAM!" kind of moment, instead of just letting the action speak for itself, the character has to always make some cute sarcastic remark which I feel just takes away from the moment. Like when Blitzwing shot Ratchet in Infiltration, he makes some cute remark, whereas had he had said nothing, it would have been more effective. There are multiple instances where the absence of any dialogue whatsoever would have been better.
The only time i'd say is teh exception (so far) is the rather ponmderous speech Prime gave when shooting thunderwing in the face.
Just saying 'it would have been more effective' is not an arguement - you have to say why. Well you don't have to, but it would help if you want people to listen to your opinions.
Maybe they are though - they are all essentially grunts/thugs, Skywarp and Blitzwing definitely. You will note Thundercracker probably doesn't get those kind of lines and just seems to get on with the job more, then you have got Runabout and Runamuck's linguistic quirk, to so in fact to say all teh Deceps are the same, rather than that some are similar in a manner unsuprising in the lower ranks of an army that clearly has little respect for life and probably contains a lot of quite thuggish individuals, is also off the mark.Simon uses those cute sarcastic comments way too much with the Decepticons in particular, to the point where they all seem to have the same snide personality. They all seem to be rubbing their palms together quipping "Oh, yes!" Really, what have we seen so far in the dialogue that separates Astrotrain, Blitzwing, Skywarp, and Thundercracker? They all seem cut from the same mold.
er, why is he forced to? He's the writer. Its not on to criticse him for how he handles cetain characters but then not credit him when he writes in a way you do like, rather attributing it to him being 'forced'.That's why Soundwave, Ravage, and Shockwave have always been a breath of fresh air to me, because Simon is forced to stay in character with them.
In terms of all the visions stuff - i don't think its exhaust fumes coming out of the pipes on Prime's shoulders.
I knew there was somewhere else he used "Burn!".Shanti418 wrote:THe vision was a bit weird, but I look at it as "Simon beginning to lay the seeds for the more metaphysical aspects of TF which we all loved the s*** out in the Marvel days"
But it is my opinion, not really an argument. Others seem to have no problem with Furmanesque dialogue tendencies. I really didn't either until they became repetitious over the years.Just saying 'it would have been more effective' is not an arguement - you have to say why. Well you don't have to, but it would help if you want people to listen to your opinions.
Sometimes, I think maybe the dialogue he uses is more of a Brit thing I'm not familiar with, because I sometimes catch myself thinking 'that's an odd choice of words'. I don't know.
I just think that when dealing with action shots, sometimes letting the art speak for itself is a more powerful means of storytelling. I don't know if you remember that G.I. Joe Summer special back in the 80's with Storm Shadow and Snake Eyes, but the thing didn't have a word of dialogue in it....and it was fantastic! I'm not even a G.I.Joe fan. There are no speech bubbles to clutter up the action, and in some way, things are more realistic because most people, when they really are in battle, don't toss insults and snide comments at each other while they're trying to kill one another.
I will say that it's not just me, however. There are other fans, a minority yes, who have complained about the dialogue.
As a writer, I think Simon is good, and he has good ideas and scripts (save for is inability to strongly conclude a story from time to time). People like myself rave about Roche's work on Kup, but I also realize that the guy has one story only under his belt. Simon has had to produce for over a decade, and that's no easy feat.
So I respect Simon for what he has managed to accomplish, but still feel there is room for editorial suggestion in the dialogue department.
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
- Best First
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- Shanti418
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I'm not saying there isn't any room for criticism, I'm just saying that compared to the "ground beef" of DW comics and the "Kidz Meaty Treats" of the Armada/Energon/Cybertron, what IDW is doing now is filet mignon, so if it's a little overcooked, I'm still going to give my compliments to the chef.Yaya wrote: So I respect Simon for what he has managed to accomplish, but still feel there is room for editorial suggestion in the dialogue department.
With apologies to vegetarians.
Best First wrote:I thought we could just meander between making well thought out points, being needlessly immature, provocative and generalist, then veer into caring about constructive debate and make a few valid points, act civil for a bit, then lower the tone again, then act offended when we get called on it, then dictate what it is and isn't worth debating, reinterpret a few of my own posts through a less offensive lens, then jaunt down whatever other path our seemingly volatile mood took us in.
Best First wrote:[quote="Yaya]
I will say that it's not just me, however. There are other fans, a minority yes, who have complained about the dialogue.
No, the reason I bring this up is to basically say it's not a personal quirk of mine to be bothered by such dialogue, others have felt the same way. When there are more than one, then maybe Simon should pay some heed to it, try something different and see how it works.i'd actually have far more respect for your opinion if you didn't feel the need to try and bolster it with such statements to be honest.
I would agree, I think IDW has done a much better job handling the license than DW ever did, from top to bottom. They have been more professional as a company, the quality of their product is better, and they are very consistent.I'm not saying there isn't any room for criticism, I'm just saying that compared to the "ground beef" of DW comics and the "Kidz Meaty Treats" of the Armada/Energon/Cybertron, what IDW is doing now is filet mignon, so if it's a little overcooked, I'm still going to give my compliments to the chef.
With apologies to vegetarians.
For example, there are things I loved about DW, but they were all too often hit or miss. For every War and Peace, there was a Micromasters. If you look back at my reviews of what IDW has produced thus far, it's hard to find something that I rated less than a "B-", and I'm a pretty harsh critic, I like to think. In fact, aside from the Sixshot Spotlight and that last issue of Hearts of Steel, I can't really complain. The Shockwave and Kup Spotlights have been ones for the ages.
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
What?! War and Peace was ******* ****!Yaya wrote:Best First wrote:[quote="Yaya]
I will say that it's not just me, however. There are other fans, a minority yes, who have complained about the dialogue.No, the reason I bring this up is to basically say it's not a personal quirk of mine to be bothered by such dialogue, others have felt the same way. When there are more than one, then maybe Simon should pay some heed to it, try something different and see how it works.i'd actually have far more respect for your opinion if you didn't feel the need to try and bolster it with such statements to be honest.
I would agree, I think IDW has done a much better job handling the license than DW ever did, from top to bottom. They have been more professional as a company, the quality of their product is better, and they are very consistent.I'm not saying there isn't any room for criticism, I'm just saying that compared to the "ground beef" of DW comics and the "Kidz Meaty Treats" of the Armada/Energon/Cybertron, what IDW is doing now is filet mignon, so if it's a little overcooked, I'm still going to give my compliments to the chef.
With apologies to vegetarians.
For example, there are things I loved about DW, but they were all too often hit or miss. For every War and Peace, there was a Micromasters. If you look back at my reviews of what IDW has produced thus far, it's hard to find something that I rated less than a "B-", and I'm a pretty harsh critic, I like to think. In fact, aside from the Sixshot Spotlight and that last issue of Hearts of Steel, I can't really complain. The Shockwave and Kup Spotlights have been ones for the ages.
- Best First
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Oh, sorry, i thought it was just a boorish net tactic that anyone can use to try and inflate the importance of their own opinion.Yaya wrote:Best First wrote:[quote="Yaya]
I will say that it's not just me, however. There are other fans, a minority yes, who have complained about the dialogue.No, the reason I bring this up is to basically say it's not a personal quirk of mine to be bothered by such dialogue, others have felt the same way. When there are more than one, then maybe Simon should pay some heed to it, try something different and see how it works.i'd actually have far more respect for your opinion if you didn't feel the need to try and bolster it with such statements to be honest.
sigh.
TF Comics released since 2000 that I have thought were gash:
All DW bar War Within Stuff, Hearts of Steel, 6 shot 1 shot.
DW TFs deserved abolition and whenver I see somebody on a smacked up MB sucking off Mick, Patyk, Lee or any of those I consider responsible for the vast majority of writing on that property I think "Hey, you're a massive wanker!"
DW TFs were seriously ****, anybody who thinks they're worth having seriously needs having their head looked at, IMO.
At the very least, they should NEVER EVER be put in any sort of position approaching importance... IMO
All DW bar War Within Stuff, Hearts of Steel, 6 shot 1 shot.
DW TFs deserved abolition and whenver I see somebody on a smacked up MB sucking off Mick, Patyk, Lee or any of those I consider responsible for the vast majority of writing on that property I think "Hey, you're a massive wanker!"
DW TFs were seriously ****, anybody who thinks they're worth having seriously needs having their head looked at, IMO.
At the very least, they should NEVER EVER be put in any sort of position approaching importance... IMO
- Shanti418
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I thought DW sucked too, but if I had to pick the BEST it did, it would be either WW 1 or War and Peace. I liked War and Peace. I think the idea of the warring Eath TF going back to Cybertron to find a vastly different status quo is one that I like, whether it be excellently executed (G2) or averagely exectued (War and Peace)
Best First wrote:I thought we could just meander between making well thought out points, being needlessly immature, provocative and generalist, then veer into caring about constructive debate and make a few valid points, act civil for a bit, then lower the tone again, then act offended when we get called on it, then dictate what it is and isn't worth debating, reinterpret a few of my own posts through a less offensive lens, then jaunt down whatever other path our seemingly volatile mood took us in.
- Best First
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- Best First
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You thought wrong, my friend.Best First wrote:Oh, sorry, i thought it was just a boorish net tactic that anyone can use to try and inflate the importance of their own opinion.Yaya wrote:Best First wrote:[quote="Yaya]
I will say that it's not just me, however. There are other fans, a minority yes, who have complained about the dialogue.No, the reason I bring this up is to basically say it's not a personal quirk of mine to be bothered by such dialogue, others have felt the same way. When there are more than one, then maybe Simon should pay some heed to it, try something different and see how it works.i'd actually have far more respect for your opinion if you didn't feel the need to try and bolster it with such statements to be honest.
"But the Costa story featuring Starscream? Fantastic! This guy is "The One", I just know it, just from these few pages. "--Yaya, who is never wrong.
- Shanti418
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Yaya wrote:You thought wrong, my friend.Best First wrote:Oh, sorry, i thought it was just a boorish net tactic that anyone can use to try and inflate the importance of their own opinion.Yaya wrote: No, the reason I bring this up is to basically say it's not a personal quirk of mine to be bothered by such dialogue, others have felt the same way. When there are more than one, then maybe Simon should pay some heed to it, try something different and see how it works.
Hmmm..... Thinly Veiled Sarcasm vs. Earnest Ignorence Sarcasm......
Best First wrote:I thought we could just meander between making well thought out points, being needlessly immature, provocative and generalist, then veer into caring about constructive debate and make a few valid points, act civil for a bit, then lower the tone again, then act offended when we get called on it, then dictate what it is and isn't worth debating, reinterpret a few of my own posts through a less offensive lens, then jaunt down whatever other path our seemingly volatile mood took us in.
- sprunkner
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I liked War and Peace. Looking back, it was good because it riffed on Simon (Prime in a moral quandary, big, high-concept stuff).
Mick seemed a bit lost as a writer and spent a lot of time sponging off the best of Marvel and (sadly) the cartoon. His direction was "take everything that's been done before, basically redo it and make it fit into a continuity" rather than the IDW approach of "chuck and restart." War & Peace was, for me, an example of when this works.
I like Yaya's reviews, personally, even if I don't agree. I think the're well written.
Mick seemed a bit lost as a writer and spent a lot of time sponging off the best of Marvel and (sadly) the cartoon. His direction was "take everything that's been done before, basically redo it and make it fit into a continuity" rather than the IDW approach of "chuck and restart." War & Peace was, for me, an example of when this works.
I like Yaya's reviews, personally, even if I don't agree. I think the're well written.
War and Peace? Was that the one which had most of the cast running about on Cybertron like Keystone Cops, loads of crass posturing and random plot threads being sparked off into nothingness like the garbled eruptions of a frantic Tourette's sufferer, topped off with a badly written he's not heavy he's my brother/Dr. Doom ending? Why are we going on about that thing when we have something properly decent to pick over?
- Is Nightbeat actually up to something or is that scene a red herring? Why would he be constrained to mess up this particular Autobot plan if he's an agent of [Galvatron]/the person from the 'dead/other universe'?
- Big Convoy? Nemesis Prime? Something else?
- Are the Machination Headmasters gonna be western-style Headmasters or more like the 'big robot suit' type? Drone body army indicates the latter?
- Is Hardhead and Nighbeat's presence in the cast relevant to the HM plot? Will Nightbeat be 'un-traitorised' by a HM process?
- Is that news reporter really called Arcee? Really?
- Skywatch chaps, wonder how they're going to fit in...
- Reavers etc...can we just have them all hit by a comet or something before they actually get to Earth?
- Am I going to explode with awesomesauce backlash when Shockwave and the Dinobots show up to pwn everyone?
- Is Nightbeat actually up to something or is that scene a red herring? Why would he be constrained to mess up this particular Autobot plan if he's an agent of [Galvatron]/the person from the 'dead/other universe'?
- Big Convoy? Nemesis Prime? Something else?
- Are the Machination Headmasters gonna be western-style Headmasters or more like the 'big robot suit' type? Drone body army indicates the latter?
- Is Hardhead and Nighbeat's presence in the cast relevant to the HM plot? Will Nightbeat be 'un-traitorised' by a HM process?
- Is that news reporter really called Arcee? Really?
- Skywatch chaps, wonder how they're going to fit in...
- Reavers etc...can we just have them all hit by a comet or something before they actually get to Earth?
- Am I going to explode with awesomesauce backlash when Shockwave and the Dinobots show up to pwn everyone?