What the H*LL?! Why is Dreamwave's site down?!! >:(
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Well from most ppls posts, it sounds like most here prefer our current state of no TF comics over DW's version.
Since TFs story was already splintered 50-ways before DW, does it matter that they started over/retread? Not that it matters now, since I am convinced whenever a new TF comic starts up it will be yet again another version.
Since TFs story was already splintered 50-ways before DW, does it matter that they started over/retread? Not that it matters now, since I am convinced whenever a new TF comic starts up it will be yet again another version.
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In essence, no. But the way they seemed to make it up as they went along whilst blindfolded didn't help.gforce99 wrote:does it matter that they started over/retread?
It took them over 2 years to get the hang of it as far as I can see (other than those damn delays). As I've said elsewhere, I was in the main enjoying their latest stuff (though I feared the coming of the fembots - we needn't have worried, eh?).
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I'd say most of us are just pro- good comics. There's a limited amount of original Marvel UK and US material I'm prepared to hold up and defend as great, as comics as well as Transformers tie-in fiction. There's oh-so little of that with DW; the originality has mostly come from art/design (Don) whilst Furman has to a great extent been retreading familiar territory. I don't think much of it was his fault; the mini-series format and what passed for an editorial process at DW certainly didn't help.gforce99 wrote:TransFans.net is an anti-DW board.
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Really?!?gforce99 wrote:You do realize that TFs was canned by Marvel about 10 years ago, right?
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The "i" in "Señior" from "Señior's Covenant" is intentional and part of a stupid & cheesy inside joke from '02. Thank you for your concern.
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Gee golly!
Well, I had no problems with Dw...
Except with Mad Brick's info dumps, the Shockwavedidit-is and corny lines...
Oh and Rob (whattheheckisthatyoudrew) Ruffolo's art...
and the delays...
and Pat Lee, as an artist and as a boss...
Ok,so I have a few problems with them. But I liked MTMTE, everything that Furman did,and even the first GI Joe crossover. A bit.
Well, I had no problems with Dw...
Except with Mad Brick's info dumps, the Shockwavedidit-is and corny lines...
Oh and Rob (whattheheckisthatyoudrew) Ruffolo's art...
and the delays...
and Pat Lee, as an artist and as a boss...
Ok,so I have a few problems with them. But I liked MTMTE, everything that Furman did,and even the first GI Joe crossover. A bit.
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You must be reading another comic to us then - I was never impressed, the storys were unispired, the artwork often badley directed and rushed.gforce99 wrote:You do realize that TFs was canned by Marvel about 10 years ago, right?
I think that DW tried hard, failed some times, but overall brought to me a good story with excellent art work.
Not that it matters anyway, their gone now.
hardley the standard of modern Marvel work.
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Ok, can we reach a little deeper? Now your just sounding childish.Ultimate Weapon wrote:I'll start things off, he was born.gforce99 wrote:Help me out (aka convince me) what exactly did Mick do that was wrong?
Thanks
(sorry if it seems I am n00b antagonist)
BTW You guys really liked the art in TF Marvel? Some was ok, like Geoff Senior and Andy Wildman...but most of it was mediocre.
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Just for the (re)record I'm not an art fan in a visual sense so much, though there may be something to be said about an Optimus Prime with a tiny head, surprised expression, breasts, and thunderlegs; but since we aren't talking about that I won't bring it up. The stories were what was important to me.
Muchas gracias to Mob for the Sig, proving why he's called 'King'.
The "i" in "Señior" from "Señior's Covenant" is intentional and part of a stupid & cheesy inside joke from '02. Thank you for your concern.
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Do you have a point to make here, or are you standing pat at being facile?gforce99 wrote:You do realize that TFs was canned by Marvel about 10 years ago, right?
Dreamwave having material produced within the last few years does not magically make that material well-written, well-edited (or edited at all in places) or consistent. It also hasn't conferred upon their headline artist a feel for proportion, scale, consistency from panel to panel, or the ability to draw Optimus Prime sans cleavage...
Amateurish pacing, retconning out of spite, reference stuffing, plagiarising whole scenes from previous canon material (but mangling dialogue, natch), interpolating robots as having human gender roles, failing to keep continuity straight from one issue to another, suggesting in interview that he viewed his predecessor's work as a dream sequence.gforce99 wrote:what exactly did Mick do that was wrong?
Off the top of my head.
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marvels art work was largely governed by print at the time, modern colour techniques and 'special effects' via photoshop that DW so excitedly over use were not possible back then, but basic depiction of a scene will never change. this is where some of DW's work falls down.
ive seen various prints where they have re used a character in another scene just scaled up, mirroed or postioned behind another character, clearly a PS process, and suggests that alot of work is drawn and coloured by seperate artists, this leads to alot of scenes looking pasted together.
I actully think with some modern colouring techniques marvels old work would shine, some of it is truly inspired, not all of course.
Now if you compare marvels modern x-men works to DW work you can see years of experience behind the art direction, id love to see them pick up the title from an artistic point of view.
ive seen various prints where they have re used a character in another scene just scaled up, mirroed or postioned behind another character, clearly a PS process, and suggests that alot of work is drawn and coloured by seperate artists, this leads to alot of scenes looking pasted together.
I actully think with some modern colouring techniques marvels old work would shine, some of it is truly inspired, not all of course.
Now if you compare marvels modern x-men works to DW work you can see years of experience behind the art direction, id love to see them pick up the title from an artistic point of view.
Some points I've come up with to compare:
"You do the math!"
I'll take good stories over pretty pictures any day.
Code: Select all
TRANSFORMERS COMIC STRIP CRITERIA
MARVEL UK (1980s) DREAMWAVE (2000s)
========= =========
1. simply/average detailed art highly detailed art
2. black-and-white/flat 4-color 24-bit computer color
3. poor/average/great strip artists awful/great strip artists
4. decent character positioning bad character positioning
5. decent character proportioning terrible character proportioning
6. obvious, clear panels obscured, cluttered panels
7. easy panel flow horrendous panel flow
8. single cover artwork multiple cover artwork
9. hand-written lettering computer lettering
10. multistranded plotting multistranded plotting
11. excellent characterization poor/mixed characterization
12. mature storytelling poor/mixed storytelling
13. good writer b(r)ad writer
14. excellent pacing terrible pacing
15. script-led stories art-following stories
16. minimum cheezey moments fanboy mozzarella party
17. original plots rehashed plots
18. few of external 'nods' plenty of external 'nods'
19. minimum retcons jarring retcons
20. timely (geddit?) releases badly delayed releases
21. good editing non-existant editing
22. self-deprecating letters pages self-aggrandizing letters pages
I'll take good stories over pretty pictures any day.
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Yessir. Ten through Twenty-two do it for me.Dead Head wrote:I'll take good stories over pretty pictures any day.
"13. good writer - b(r)ad writer "
B-A-Ootifull!
Muchas gracias to Mob for the Sig, proving why he's called 'King'.
The "i" in "Señior" from "Señior's Covenant" is intentional and part of a stupid & cheesy inside joke from '02. Thank you for your concern.
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